Far Too Heathen
Top - The Tower Records Magazine
Pandora's Box : Open It Up And Out Pops Jim Steinman
by Sandy Robertson
It's been a long journey down the highway since Bat Out Of Hell,
Meat Loaf's sonic debut, first blasted its way into rock mythology. Over a
decade later, however, the classic heavy pop crossover album is still in the
charts (a la Dark Side Of The Moon) - a tribute to the big man's vocals, Todd
Rundgren's production...and the songs of Jim Steinman - twisted, visionary
fantasies that meld Edgar Allen Poe gothicism with bubblegum opera epics. We all
know what happened to Mr. Loaf and Mr. Runt, but what of Steinman, the
self-described 'Little Richard Wagner' of rock 'n' roll? Where is he now?
here in London, that's where, promoting the latest emission from the fevered
Steinman brow: Pandora's Box is the group, Original Sin is the album. Virgin is
the label. But what is the scam? Steinman, grayer than ever and carrying a
little more weight than of yore, beckoned yours truly into his hotel suite and
spilled the bizarre beans on his decidedly odd solo project, the first since he
adopted Bad For Good (originally planned as the follow-up to Bat) when Meat had
the famous crack-up that rendered him unable to croon.
"It shouldn't have taken so long for me to do something
again, but that thing with Meat losing his voice was such an Olympian task that
it soured me. It seemed like such a relief when I was asked to simply produce
Bonnie Tyler, not to have to do the whole thing, the whole vision. I was
exhausted! It was ten months of torture trying to get him to sing that
follow-up, a gruesome experience. I saw these other producers getting away with
murder, making a lot of money, so...
"But I got bored with just production. The sixth time a
song came back from Donna Summer with a note saying 'It's great but it's far too
heathen!' I gave up. I had no idea how to Christianize it! I wanted to do Frank
Sinatra and Diana Ross too. Barbra Streisand was great though. She didn't want
to sing some of the lyrics on my song 'Left In The Dark' because they conflicted
with her feminist ideals! Amazing voice."
Steinman has worked with everyone from Phoebe Snow to Billy
Squier of late, but the weirdest experience of his career has to be his abortive
attempt to producing the doyens of steely commercial rock, Def Leppard.
"They made Spinal Tap look like the Julliard String
Quartet! I could've made a great record with those guys, too, but it was four
months of horror."
Back to Pandora's Box. Not your average solo album?
I don't sing on it. It's four girl vocalists with me on keyboards. I wanted to
do a Shangri-La's type of record, and I wanted to work with Ellen Foley (who was
on Bat Out Of Hell and recently appeared in the hit film Fatal Attraction)
again. I'm planning a new Meat Loaf album - twelve years later he has his voice
back - so I wanted to do a female record first. It's a very darkly erotic album
sort of from a woman's point of view. It's about sex rather than being a bump
'n' grind thing.
"A lot of people didn't like the title. At one point it was
going to be called 'Rockman Philharmonic' because my name means 'rock man' in
German. Then it was 'Dream Engine' after a play I once did, but the head of the
label in Germany said that sounded like a German disco band! Pandora's Box is
appropriate because it's about sin - remember the great Pabst movie with Louise
The record, with a cover by noted fantasy artist J.K. Potter and
a snakes 'n' graveyard video by cinematic bad boy Ken Russell, veers between
Steinman's disembodied poetics ("I've Been Dreaming Up A Storm
Lately"), to keyboard insanity ("Requiem Metal" - "my
version of Verdi") to hot pop poop (the single, "It's All Coming Back
To Me Now"). With nods to Burt Bacharach, Love, The Doors, the 20th Century
Fox cinema anthem and a sampling of Hendrix's voice, it's hardly a normal album,
but it's one which proves that rock isn't likely to be bankrupt with people like
"Virgin have been great - they're treating it like it was
the new Phil Collins Album. And I've got Ken doing the video for the single.
It's my reworking of a scene he did in the movie Aria. I usually co-direct, but
when you hire Ken he kind of takes over. He knows what he wants."
As does Jim Steinman.